There indeed are so many ‘fine prints’ when we discuss diversity and inclusion. The silver lining is that we see many pithy attempts to call them out. “오빠가 허락한 페미니즘” is another fascinating one. This controversy surrounding Olafur Eliasson’s ongoing exhibition, In Real Life, at Tate Modern is an embarrassing case in point that artists and museums “only produce, curate, exhibit art for certain bodies“, even for an exhibition that claims to be about agency and co-creation.
And the illustration below.
((c) 2015-2019 kevinbolk, original here)
A frequently expressed comment in response to a recent motel molka scandal:
In the meantime, in the Sinophone world:
‘Escape the corset’: South Korean women rebel against strict beauty standards (Benjamin Haas, The Guardian, 26 October 2018)
Lipstick, hair dye, & power — How beauty is fuelling a revolution in North Korea (Lexy Lebsack, Refinery29, 18 May 2019)
Whelks caught in Wales are South Korean ‘aphrodisiac’ (Neil Prior, BBC News, 10 February 2019)
👆 You are witnessing how an ‘urban legend‘ is born. An ‘Othered’ one at that. Whelks are not considered as aphrodisiac in Korea. It is a horrendous slang word to refer to women who have passed out on date rape drugs.
RT @AskAKorean This image haunted me for this seollal. On the crowded LNY trains, all the old people are in the standing seats because they can’t figure out how to book tickets online […] (5 February 2019)
LNY is a big holiday, so lots of Koreans travel home. Train tix for LNY sells out within minutes of being available for sale. And most of them are snapped up online. If you don’t know how to book tickets online, like many old people are, you are often out of luck.
The article describes old folks who show up to the train station hours early just so they can have a shot at buying train tickets. When they’re lucky enough to do so, they are often relegated to standing tickets. Hence, the messed up trains where only the old people stand.
S Korea is the most wired society in the world, and it often decides to simply let people who can’t keep up stay behind and suffer. I hate seeing this type of scene happening again and again.
Had a shaky start to 2019. Was down with the flu early January and I was out of commission for a week. It was a record in a sense. In the past, even when I was unwell, I didn’t usually take more than one day off, and I would still check my work inbox occasionally throughout that day. This time I was barely able to sit up, let alone move around, for one whole week. So I ended up doing nothing but drinking lots of tea and water while watching, in a half-asleep state, the full series of Parks and Recreation for the first time. The lesson of all this might have been that I am no longer that youthful version of me.
Well, actually, my resolutions are always the same: less sugar, less screen time on commute, and sleep earlier. Always these same ones, always failing to keep them, and always rolling them over to the next year. As a desperate measure, I have turned to audiobooks — something I would never have imagined myself doing. I don’t even like ebooks that much, so this is a pretty big leap for me. I am pleasantly surprised so far with this new commuting experience — but don’t confuse my new found love for audiobooks with how I feel about commuting.
Most importantly, happy Korean New Year!
I really am an omnivore when it comes to conferences. I attend ones on political communications, ones on research methods, ones on doctoral education, and ones on digital sociology. Among all these and more, I must admit that I find myself feeling most comfortable at events for “internet researchers“. Probably I identify with that label most closely.
In that circle, if your work is described as being technologically deterministic, that’s never a compliment. “The internet is like a knife”, people used to howl. Or you can replace the word internet with whatever the next new thing is. Twitter, smartphones, blockchain, you name it.
If it were a binary opposition and I had to pick one over the other, I would also be on Team Social Constructivists. However, it is in fact never a binary opposition, is it? I am glad that even in my naïve years I appreciated that a real-life situation would always be somewhere in-between.
It feels like the field itself seems to be sliding back and forth too, depending on the characteristics of a given epoch. What I am hearing more and more these days is that there has been some fundamental change to our ways of being, and that change is as much from technology itself as from the social.
On a related note, here are some interesting reads for my own reference.
— It’s the (democracy-poisoning) golden age of free speech (Zeynep Tufekci, Wired, 16 January 2018)
— YouTube, the great radicalizer (Zeynep Tufekci, The New York Times, 10 March 2018)
— How social media makes fascists of us all (Jamie Bartlett, UnHerd, 28 August 2018)
— RT @JamieJBartlett One of the overlooked, but discombobulating, things about social media is the way delightful stories appear directly next to tragic, or trivial, or infuriating ones. With no time to process the emotion, we bounce directly from delighted to outraged, totally rudderless. (12 August 2018)
— RT @JJRodV My *least* favorite part of social media culture is the assumption that if you aren’t posting about what’s happening you don’t care/are too privileged to notice. Some folks aren’t posting because they are sitting with folks who are processing what’s happening in the world. (18 March 2019; see also Giglietto & Lee, 2017; Robards & Lincoln, 2017)
— Speculative thoughts about the phenomenology of digitalisation (Mark Carrigan, 27 February 2017)
Rather, I’m interested in understanding the character of my <b>frustration</b> at being unable to find what I was looking for through digital means. […] In both cases, my behaviour revealed an implicit expectation concerning the <i>extent of digitalisation</i>.
— Skim reading is the new normal. The effect on society is profound. (Maryanne Wolf, The Guardian, 25 August 2018)
— RT @JamieJBartlett Meanwhile in the Ukraine, democracy takes another absurdist turn. Anti-establishment Volodymyr Zelensky currently leads the polls for Sunday’s presidential election. His day job? A comedian & actor who plays an anti-establishment president on TV. (30 March 2019)
— Town hall? 120 people. Live-streamed chicken dinner? 257,000 views on Facebook (Michael Scherer, The Washington Post, 10 December 2018); as summarised by @declan_djmn1, we are witnessing a move to a new ground [‘private’ platforms such as WhatsApp and Instagram] and a politics of intimacy.
— RT @davies_will Something like the People’s March is an example of the post-representational politics that now dominates. Not direct democracy but not representational democracy either. I discuss in Nervous States here:
When politics becomes infused by the logic of crowds, it becomes less about peaceful political representation, and more about mobilisation. Whether on the street or online, crowds are not a proxy for something else, as, for example, a parliament is meant to be a proxy for its electorate or a judge is the face of the justice system. They don’t purport to <i>represent</i> society as a whole, in a way that a ‘representative sample’ is treated by an opinion pollster as a means of discovering what the whole nation thinks. If crowds matter at all, it is because of the depth of feeling that brought so many people into one place at one time. As in the wars that dominate the nationalist imagination, crowds allow every individual to become (and feel) part of something much larger than themselves. This needn’t be a bad thing, but it carries risks and plays on our nerves. […] The critical political question is who or what has the power to mobilise people. […]
— [cont’d] One word for it is ‘presentational democracy’: the people are just presented, but without that being a way of settling an argument. Big data suffers the identical problem, and it’s the entangling of those two things that accounts for where we are right now.
— [cont’d] Another thing to add on this: ‘presentational democracy’ does not look good when it is led by professional *representatives*. Remain urgently needs political outsiders. (21 October 2018)
— How much of the internet is fake? Turns out, a lot of it, actually. (Max Read, Intelligencer, 26 December 2018).
Not only do we have bots masquerading as humans and humans masquerading as other humans, but also sometimes humans masquerading as bots […].
— You can’t believe a word any of these people is saying – that’s the ‘deep fake’ era for you (Jamie Bartlett, The Guardian, 16 June 2019)
The main effect of deep fakes in our politics therefore will not be to spread lies, but, rather, confusion and apathy.
— Political ads are all over Facebook. But voters are in the dark about where they come from (Martin Moore, 4 August 2019)
— “Designed addiction” (Online Harms White Paper, DCMS, April 2019, pp.26-27)
— RT @Pedantrynmotion We’re susceptible to what we want to believe. Older generations want to believe that they can get free money. Younger generations want to believe that they’re interesting and that people want to look at them. (18 July 2019)
— Why conservatives are winning the internet (Sean Illing, Vox, 3 June 2019)
— Populist technologies and the new spectacle of finance (UCL Institute of Advanced Studies, 3 July 2019)
“The perception of the far right in this country is outdated,” says Alan Harris, the writer of a provocative new drama, The Left Behind. “We think of skinheads and National Front marches. But things have changed – especially in terms of the online influence.”
The phrase “far right” tends to conjure up visions of organised groups: Britain First in the UK, the marchers on Charlottesville in the US. Yet the reality can be far more diffuse.
[The team] sought to create a drama that dug into the roots of far-right extremism, using literature from Hope Not Hate and speaking to Prevent consultants and academics. They soon found that much of the far-right activity was concentrated in the “left-behind” areas – post-industrial towns and cities suffering the sting of austerity and income inequality.