This year I have finally joined the world of video streaming. I am still only exploring different service providers, and I haven’t completely abandoned traditional TV, but it has been an interesting few months nevertheless, personally and professionally.
Here are a couple of items that resonate with my own observations.
- How artist imposters and fake songs sneak onto streaming services (Noah Yoo, Pitchfork, 21 August 2019)
- Déjà View: The psychology behind the ‘rewatch’ (John Jurgensen, The Wall Street Journal, 8 October 2019)
- RT @MuseWendi labor is turning entirely into part-time gigs (“gig economy”), but there is also a creeping problem of what i call “rental consumption,” in which we no longer actually own anything despite paying exorbitant amounts of money. see: streaming music, video, books, subscription phones… (29 November 2019)