There indeed are so many ‘fine prints’ when we discuss diversity and inclusion. The silver lining is that we see many pithy attempts to call them out. “오빠가 허락한 페미니즘” is another fascinating one. This controversy surrounding Olafur Eliasson’s ongoing exhibition, In Real Life, at Tate Modern is an embarrassing case in point that artists and museums “only produce, curate, exhibit art for certain bodies“, even for an exhibition that claims to be about agency and co-creation.
And the illustration below.
((c) 2015-2019 kevinbolk, original here)